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The NY Dance and Performance Awards, The Bessies, New York City’s premier dance awards honoring outstanding creative work in the field, today announced the nominees for the 2015−16 season at a press conference. The 38 nominees were selected by the Bessie Awards Selection Committee, an independent committee of 40 dance industry professionals. Produced in partnership with Dance/NYC, Bessie Award categories include Outstanding Production, Outstanding Revival, Outstanding Performer, Outstanding Music Composition or Sound Design, and Outstanding Visual Design. The list of nominations follows. The 32nd annual Bessie Awards, presented in association with the Brooklyn Academy of Music, will take place on Tuesday, October 18, 2016, at 7:30pm, at BAM Howard Gilman Opera House. “After five glorious years at the Apollo, we are thrilled to be bringing the awards to BAM’s historic opera house,” says Lucy Sexton, Executive Director of the Bessies. “It is in some sense a homecoming—BAM hosted the awards from 1985 to 1990—and it is especially meaningful as Brooklyn is home to so many artists.” Three 2016 awards were presented at the press conference. The Outstanding Emerging Choreographer Award was presented to Joya Powell for her passionate choreographic engagement with issues of justice and race in our communities and our country; for connecting with the audience in ways that make it clear that these concerns belong to all of us—and action is required. The award for Outstanding Revival was given to Rainbow 'Round My Shoulder, choreographed by Donald McKayle. Rainbow 'Round My Shoulder was recognized for giving a classic modern dance new and powerful life, transforming the midcentury portrayal of an African American prison chain gang into a searingly resonant cry for our current times, performed with humanity, craft, and beauty by the Dayton Contemporary Dance Company, produced by Paul Taylor’s American Modern Dance as part of its 2016 season at the David H. Koch Theater. This year’s Bessie Jury—Yoshiko Chuma, Liz Gerring, and Bill T. Jones—named Pam Tanowitz the recipient of the 2016 Juried Bessie Award. Tanowitz was recognized for using form and structure as a vehicle for challenging audiences to think, to feel, to experience movement; for pursuing her uniquely poetic and theatrical vision with astounding rigor and focus. About the Juried Bessie Award: A new panel of three acclaimed choreographers is convened each year. The Bessie Jury is responsible for selecting a choreographer who exhibits some of the most interesting and exciting ideas in dance in New York City today. The award provides the honored dance maker with touring and residency opportunities outside of New York City through a partnership with the New York State DanceForce, a statewide network of arts organizers and presenters. Legendary dance manager Ivan Sygoda works with the Juried Award recipient for a year, helping to book and manage the touring and residencies. The 2016 Bessie Awards Steering Committee, responsible for setting policy and providing oversight of the Bessie Awards throughout the year, is comprised of Cora Cahan, Beverly D’Anne, Lane Harwell, Jeanne Linnes, Stanford Makishi, Nicky Paraiso, Carla Peterson, Tamia B. Santana, Laurie Uprichard, and Martin Wechsler. The 2015−16 Bessie Awards Selection Committee consists of Diana Byer, Kim Chan, Leah Cox, Nancy Dalva, Maura Donohue, Simon Dove, Angel Feliciano, Boo Froebel, Angela Fatou Gittens, Caleb Hammons, Zhenesse Heinemann, Jerron Herman, Iréne Hultman, Robert LaFosse, Melissa Levin, Matthew Lyons, Harold Norris, Craig Peterson, Mathew Pokoik, Rajika Puri, Susan Reiter, Walter Rutledge, Sue Samuels, Philip Sandstrom, Risa Shoup, Sally Sommer, Risa Steinberg, Carrie Stern, Kay Takeda, Catherine Tharin, David Thomson, Muna Tseng, Kay Turner, Tony Waag, Eleanor K. Wallace, Edisa Weeks, Ryan Wenzel, Adrienne Westwood, William Whitener, and Elizabeth Zimmer. The 2016 Bessie Nominations
Outstanding Production:luciana achugar An Epilogue for OTRO TEATRO: True Love Gibney? Dance: Agnes Varis Performing Arts Center Souleymane Badolo Yimbégré: Replanting roots in the name of freedom BAM Fishman Space Camille A. Brown Black Girl: Linguistic Play The Joyce Theater Jack Ferver and Marc Swanson Chambre The New Museum co-presented by FIAF Pat Graney Girl Gods Alexander Kasser Theater at Montclair State University Maria Hassabi PLASTIC MoMA? Heather Kravas dead, disappears American Realness ?at Abrons Arts Center Ralph Lemon Scaffold Room The Kitchen? Dada Masilo Swan Lake The Joyce Theater Justin Peck Heatscape Miami City Ballet David H. Koch Theater Liz Santoro & Pierre Godard For Claude Shannon The Kitchen Safi A. Thomas with H+ | The Hip-Hop Dance Conservatory Sleeping Beauty Flamboyán Theater Outstanding Revival (*indicates award recipient):get dancing By Andy de Groat & Catherine Galasso Danspace Project Rainbow 'Round My Shoulder* Choreographed by Donald McKayle Performed by Dayton Contemporary Dance Company Produced by Paul Taylor American Modern Dance David H. Koch Theater Outstanding Performer:Ephrat Asherie Sustained Achievement with Dorrance Dance, Doug Elkins, Bill Irwin, Gus Solomon jr., Rennie Harris, Cori Olinghouse, and many others Nicolas Bruder In Custodians of Beauty by Pavel Zuštiak New York Live Arts Omar Edwards In FLY New Victory Theater Paul Hamilton For his body of work including Ralph Lemon’s Scaffold Room and the work of Jane Comfort, Keeley Garfield, and others Parisa Khobdeh For her body of work with Paul Taylor Dance Company Kazunori Kumagai For his body of work including Live at the Blue Note Late Night Groove Series Jennifer Lafferty In Catacomb by Beth Gill The Chocolate Factory Molly Lieber For her body of work with several artists including luciana achugar, Maria Hassabi, and Donna Uchizono Aaron Mattocks In Big Dance: Short Form by Big Dance Theater The Kitchen Gillian Murphy Sustained Achievement with American Ballet Theatre Aakash Odedra In Rising Skirball Center for the Performing Arts Jamar Roberts Sustained Achievement with Alvin Ailey American Dance Theater Outstanding Emerging Choreographer (* indicates award recipient):John Heginbotham Jillian Peña Joya Powell* Larissa Velez-Jackson Outstanding Music Composition/Sound Design:Admanda Kobilka For Clap Hands by Jen Rosenblit Invisible Dog Art Center / New York Live Arts Jeremy Toussaint-Baptiste For #negrophobia by Jaamil Olawale Kosoko | anonymous bodies Gibney Dance: Agnes Varis Performing Arts Center Dan Trueman, So? Percussion, and Mobius Percussion For There Might Be Others by Rebecca Lazier New York Live Arts Ustatshakirt Plus For Dream'd in a Dream by Seán Curran BAM Harvey Theater Outstanding Visual Design:Holly Batt For the visual and set design of Girl Gods by Pat Graney Alexander Kasser Theater at Montclair State University Design Team: F. Randy deCelle, Ralph Lemon, Roderick Murray, Naoko Nagata, R. Eric Stone, Mike Taylor, and Philip White For the visual design of Scaffold Room by Ralph Lemon The Kitchen DD Dorvillier and Thomas Dunn For the lighting and visual design of Extra Shapes by DD Dorvillier The Kitchen? Eamonn Farrell For the new media scenography of Forgiveness by Emily Berry | B3W Performance Group BMCC Tribeca Performing Arts Center ABOUT THE BESSIESProduced in partnership with Dance/NYC, the NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work in the dance field in New York City for 32 years. Known as “The Bessies” in honor of revered dance teacher Bessie Schönberg, the awards were established in 1984 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition, and visual design. Nominees are chosen by a 40-member selection committee comprised of artists, presenters, producers, and writers. All those working in the dance field are invited to join the NY Dance and Performance League, as members participate in annual discussions on the direction of the awards and nominate members to serve on the selection committee. www.bessies.org
Catherine Foster, Tracy Wormworth and Camille A. Brown in Brown's "Black Girl: Linguistic Play." Photo © & courtesy of John Michael |
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