|
|
|
|
|
Andrew Lloyd Weber's Production of A R Rahman's Bombay Dreams(www.bombaydreamsonbroadway.com) At Broadway Theatre 1681 Broadway at 53rd Street 212.239.6200 Robert Abrams July 21, 2004 Bombay Dreams starts with some necessary plot exposition. About ten minutes into the show, Bombay Dreams kicks into high gear and never looks back. The high energy song and dance numbers prove that you can translate the extravagant musical numbers of Bollywood films to the uneditable timescape of theatre. The first act peaks with the signature wet sari scene entitled "Shakalaka Baby". Think Marilyn Monroe in her white dress combined with Gene Kelly in Singing in the Rain hitting all of his marks under a layer of water, performed live every night, and you will have some idea of the quality and accomplishment this scene represents. At the end of the first act, my friends and I wondered how the performers could possibly keep the energy level going. They did. There was no shortage of extravagant dance numbers in Act II. Despite all of the glitz, Bombay Dreams also manages to have something intelligent to say. By using a clean plot line and strong characters, a message about class, discrimination, prejudice and potential comes through clearly. The message is framed differently than it might be in a American context, India having its own unique history, but the commonalities are there if the audience is willing to hear them. In fact, Bombay Dreams might be a useful starting point for discussions on such topics precisely because its veneer of otherness could help people open up where they might be less willing to do so discussing the same issues about events closer to home. Bombay Dreams is largely, but not entirely, in English. It showed that you can make a Bollywood style movie sung in English. Hopefully someone will get the crazy idea to make more of them. Ayesha Dharker (center) and company Photo courtesy of Joan Marcus
Ayesha Dharker (center) and company Photo courtesy of Joan Marcus
Waxman Williams Entertainment and TGA Entertainment In association with Denise Rich and Ralph Williams H. Thau/M. Cooper/AD Prods. Scott Prisano and Danny Seraphine Independent Presenters Network Starring: Manu Narayan, Anisha Nagarajan, Ayesha Dharker, Sriram Ganesan, Tanvir Gopal, Marvin L. Ishmael, Deep Katdare, Neil J. Shastri, Madhur Jaffrey, and Cast Directed by Steven Pimlott Music by A R Rahman Lyrics by Don Black Book by Meera Syal and Thomas Meehan Music Director: James Abbott Additional Arrangements: Christopher Nightingale Music Coordinator: Michael Keller Music Supervision: Paul Bogaev Production Manager: Peter Fulbright Casting by Tara Rubin Casting Production Stage Manager: Bonnie L. Becker Executive Producer: Waxwill Theatrical Division General Management: The Charlotte Wilcox Company Press: Barlow-Hartman Marketing: Margery Singer Company Sponsorship: Rhino Enterprises Associate Producer: Sudhir Vaishnav Associate Producer: The Entertainment Partnership Associate Producers: Alexander Fraser and Ken Denison Lighting Design: Hugh Vanstone Sound Design: Mick Potter Scenery and Costume Design: Mark Thompson Choreography: Anthony Van Laast and Farah Khan The role of Salim was played by Rommy Sandhu.
|
|
|