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Soto says her many days spent in Philadelphia's Wissahickon Park inspired and informed both works. "The work involves an investigation of gravity as an essential force," she says of her "dances with branches". It also continues her investigation of movement paired with live music. In fact, she calls it "A duet for me and Elio Villafranca." But watching it on a promo tape, it seems more of a duet for her and her branches. At first, her movement is in silence and seems in response to the shape the branch makes as she slowly moves it and it changes shape in shadow beneath her. It is more divining rod, leading her, not she leading it. Once Villafranca's piano arpeggios begin to swirl like leaves in a fall wind Soto begins to find her ground becoming the branch's roots. Even her neck becomes a bough, shaking her head in a breeze. In another section, she balances the branch on her head becoming a tree trunk, somatically absorbing the elegant movement of trees in her slow walk. Soto says this new choreography takes her back to her dancing body, which as she ages is not so gravity defying as it once was. That's alright. There is a lot of room for work by mature artists who bring gravitas to the stage as a way of defying gravity. November 2 & 3, 2006 7:00 PM Hostos Center for the Arts & Culture 450 Grand Concourse at 149th Street in the Bronx Tickets $12/$8/student: (718) 518 4455 www.hostos.cuny.edu/culturearts |
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